Showing posts with label 2022. Show all posts
Showing posts with label 2022. Show all posts

26 January 2025

“Moth Orchids”, 2022

James Brown

“Moth Orchids”, 2022

Oil on canvas

Size: 50.5 x 61 cm

Although the idea of painting flowers was not unusual for me, as I have painted many in the past, the choice to paint these particular flowers—Phalaenopsis (aka “moth orchids”)—was driven by a strong memory of seeing them in a closed florist shop during an evening stroll. They were displayed on a stand at the back of the darkened shop, but stood out from the darkness by the brilliance of their white flowers. If the flowers were “properly” lit they may not have caught my eye, but the way that they glowed in the half-light of the shop left a strong impression on me. In retrospect, the common name of the flowers, “moth orchids”, seems very appropriate for how they looked in the dim light.

By intention, the hatched strokes used in the flowers’ background was my way of suggesting the softness of the light as well as the lack of clarity in how I saw the flowers at the time. 










18 January 2025

James Brown

“Towards the Sydney Heads”, 2022

Watercolour on heavy wove paper

Size: (sheet) 42 x 29.7 cm; (image borderline) 21 x 21 cm.

Watercolour is the perfect medium for making freely laid strokes and the most subtle of colour gradations. The only problem is when an artist has a change of mind and wants to alter or even completely erase a passage in the painting where the paint didn’t land “just right.” My solution is partly to ignore and just accept such less than successful areas, but if I have to deal with an issue, I choose a heavy/thick paper that is resilient to corrective scrubbing. Of course, too many changes of mind and scrubbing show grimly and the freshness that makes a watercolour gleam with inner light disappears.

One of my favourite “things” to do in Sydney (Australia) is to take the passenger ferry from Circular Quay (the central harbour in the city) to Manly (an outer suburb with wonderful beaches) which takes about 20 mins and passes the most beautiful of rock faces that one could wish to see. Needless to say, the rockface shown here is based on a photo I took from the Manly ferry.