James Brown
“Spider Lilies”,
2017
Oil with pastel
and watercolour on canvas
Size: 30 x 25
cm
At the time I
made this small painting I was enjoying the idea of using flowers, especially
their silhouetted forms, as way of containing, or cupping, a feeling of
softness and sadness. My explanation may not pin down with full clarity what I
was after, but in essence I wanted to use the colour of flowers—not necessarily
the true colours as a naturalist might see—as an expressive equivalent (viz. T.S.
Eliot’s “objective correlative”) for how I was feeling. Of course, spider
lilies with all their drooping petals and other dangly bits have a history of being
used in funerals to connote feelings of loss. Here, however, I saw them as
having the perfect creepy forms for symbolically capturing a dark moment of melancholy
edged with something close to bitterness. I was a crazy man carrying the weight
of the world in his head.
Regarding the technical side of how I made the painting, initially the image was a pastel drawing/painting that was pushed and pulled into being a cohesive image using water and watercolour. The use of water allowed the colours of the pastel to be merged in delicate transitions on the gesso ground. In the final stage, I worked over the pastel with oil paints and an oil medium to stabilise the pastel colours so that they became an intrinsic part of the oil paint film.
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