James Brown
Four early sketchbook
pages from my first trip to Egypt:
“The Nile from
the First Cataract Hotel”, 1982
“View from the
Nile Hilton, Cairo”, 1.1.1983
“View from the
Cataract Hotel, Aswan”, 1982
“Palm at the Wintergarden
Hotel, Luxor”, 1982
Pencil on bond
paper
Size of each
page: 27 x 20.5 cm
I first visited
Egypt in the early 1980s, accompanied by two friends from the art department
where we worked: Dr Anneke Silver and Dr Robert Preston. I consider myself
incredibly fortunate to have had their guidance during this trip. Both are
accomplished artists with published monographs on their work, and they possess
a profound understanding of early cultures, history, and ancient languages. Being
in their company not only enriched my appreciation for Egypt but also enhanced
my skills as an artist. I learnt how to organise a sketch book, refine my
drawing techniques, and, perhaps most importantly, how to carve out time to
draw.
Reflecting on my initial impressions of Egypt, I vividly recall the awe inspired by the spectacular sites we explored. This sense of wonder was connected to the overwhelming size and scale of structures like the Abu Simbel Temples, the Temple of Karnak, and, of course, the pyramids. As I wandered among these marvels, I felt both small and fragile, dwarfed by their grandeur. Yet, there was another layer to my experience—an unsettling awareness, a nagging feeling that a mysterious essence of the ancient past lingered around me, intertwining with the present. This complex mixture of emotions made my first encounter with Egypt unforgettable.
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