James Brown
“Ross River Paperbarks”, 2016
Oil and pastel on canvas
Size: 75 x 75 cm
Isabelle and I begin our
mornings with walks along the pathways that edge the Ross River in Townsville—our home in Australia's tropical north. A memorable spot along our route is the
line of paperbark trees shown here, leaning slightly outwards over the
riverbank. It's a "special" place on the way to a grove of mango
trees where a mob of wallabies often gathers.
My memory of these
trees is not centred on the trees individually, to my eye, these
paperbarks coalesce into a gently curving screen—a tapestry of pale ochre-pink
trunks, through which glimpses of the sunlit river shimmer.
This painting captures the
experience of looking through that screen. It's about the effect of visual
layering—the way the blurred, composite image of the trees interacts with and pictorially
frames the glimpsed gaps of water beyond. This visual play with spatial depth
is heightened by a deliberate transition in focus from the left side to the
right: the trees on the left are rendered more out-of-focus than the
two on the right. By intention, this shift in clarity represents the act of
walking forward, the trees on the left representing the immediate past, gently
fading from view as I move towards the immediate present on the right.
While not initially conceived
as an experimental exercise, reflecting on my numerous iterations of this same scene reveals a
deep underlying interest. This series, and this painting in particular, seem
to be driven by a subconscious desire to capture the experience of “gazing
without truly seeing.”
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